Literaryspill

The Voices Behind the Curtain








once in a while, 
we roll tongue against skin 
and skin against teeth
and it is not all, show

primitive sounds escape
revealing, a life’s worth of
hidden auroras and clear
summer skies 

and we think we are 
together in our loneliness, 
reveling in mutual emptiness

mouth muscles contract 
pouring out fear after fear
doubt after truth, 
deviating from our daily scripts


my voice screamed for compassion
but  your ears could not take in
the sound of humanity



© Nathalie M. Viorato

To the Other Woman’s Other Woman

she savors the taste of love
new promises whispering whimsically
aching for more.

more
more 
and then some

gorging herself on lies.

she hasn’t noticed yet
the drifter in his eyes
or the smokescreen
that cages his gypsy heart. 

she hasn’t noticed yet
that she is me. 

© Nathalie M. Viorato

The Dirt Beneath the Snow

Even if the snow falls.
Covering the soft green earth
with its ashen dust,
altering the ground. 
The earth fights back. 
Always evolving.
Never devastating. 

Even if you come back to me
I won’t. 

I won’t.
©Nathalie M. Viorato

The Memory of Rain

the rain is warm now. 
I can feel it 
wet, sharp
like acid trickling down
frail, unprotected skin
sliding into my eyes; 
every tear cries for you,
every tear burns.
©Nathalie M. Viorato

The Act of Burning Bridges

You act as though I am easy to forget 
But you don’t know how-
You don’t know how to erase me 
from your background
How to leave behind a good woman-
and her broken heart.
And you move forward- sharing music, 
listening to your bands
talking about nothing 
pretending to understand each other-
but at night, when you go to bed with her
Realize


You are all alone. 


You are all alone. 




© Nathalie M. Viorato

Consider Blasphemy

Consider blasphemy- 
before you condemn me to 
the waters of your solitude 
and send me unprotected 
into the high tide of your stormy sea
do I mean so little to you-
that you would desecrate all we had 
without a moments hesitation?
hurl my name among the piles of
strangers that rummage solemnly 
along the outskirts of your mind
without a second glance?
if ever you doubted me- 
consider this a reason
for my attitude of neglect 
the result of you casting me aside
so disposable was I?
that you failed to notice the beauty 
in imperfection 
as I did 
when I witnessed the darker side
of a good man
constantly reminding myself that 
a picture can tell a thousand lies
cursing the root of insecurity
unearthing forgiveness for sacrilege-
your act of erasing me so easily
you did not fight for the rarity
that we once were 
instead you hid 
behind irreverent actions
the ones I thought to be deceptive
but which I now 
Consider truth- 
© Nathalie M. Viorato

Of Mornings and Weekdays

on mondays
I like to listen to music on the train
its always the same-song
the one you dedicated to me
(without knowing of course)
its always the same voice blaring through
vocalizing unhinged thoughts
of desperation and lust
the words always leave me breathless
- in the constricted, can’t breathe
running out of oxygen type of way-
you know the type of breathing that hurts
but like all proud masochists
I am glued to the fire that burns me
like a deaf child hearing his mother’s voice 
for the first time
enticed by the velvety smoothness of her sound
overwhelmed by the brevity of moving lips
analyzing the fragility of a whisper
I realize now
that some things are delicate 
only to be handled with care
but I rarely ever do 
so my trembling hands caress the edges 
of hard plastic-frantically-
searching for the delete key
and then I remember that you also like to do that
-erase the things you don’t need anymore-
on mondays 
I remember…you can’t always get what you want
© Nathalie M. Viorato

Of Privileges

I wrote this for  you
because you once asked me if you were 
privileged enough to be in my writings
and it made me laugh
- the only other option
was to cry-
So I answered maybe, enthralled by your ignorance
and also the inner workings of my own mind
I wondered what childhood trauma
defined the type I let into my inner circle
how my brain churns and grunts as it
cleaves the faces of strangers I meet into
categories
so effortlessly
so automatic
like a soldier in Auschwitz
left line, right line
important. unimportant
because clearly there is something wrong with it
My brain that is - and its perpetual cycle of 
attaching itself to things that are toxic to its nature
The last person it laid its roots on 
incinerated it with pretense and apostasy
commensalism- scientists would call it
parasitic- I would say
The man did nothing for my writing
I was too drunk on betrayal for clarity
my brain too strung out on the leftovers 
of infatuation
not so - the second time
desolation makes the brain weak 
the words bleed onto the page- 
a necessary instinct for survival
Yes- I wrote him a song or two
but you
I wrote you a book
© Nathalie M. Viorato

Of Good Days

On a good day- you can barely 
hear the echoes of a million feet
marching solemnly into their cages
pacing past slabs of grey concrete
darting in between yellow blurs
and fragile skyscrapping glass
barely scratching the surface of the sky
You can walk on worn out asphalt
and miss the cracks on paper thin walls
listen- to hard jazz emanating from Battery Park
and not be disturbed by the whispers
of the homeless man
around the corner
with a sign that reads- today is a beautiful day-
Down by the MET, you can sketch a portrait 
of a man and a woman-
cradling one another in each others arms 
and leave out the hungry desperation in their eyes
outline the skeleton of hard hands and soft fingers
almost grazing each other-but not quite
and miss the stifling air that resides
between two inches of space
you can trace the curvature of their lips 
heavy with truth that they wont speak
-we were also having a good day-
a good day today- the homeless man is gone
lost among the trails of the forgotten and 
the silent pleas of humanity
and you are not thinking of me
but you are content
and- I am writing you
keeping track of History
reliving the last good day we had
on a good day, it’s a tragedy 
©Nathalie M. Viorato

Of First Times

The first time- is always the hardest
you trace your fingers along every ridge
letting the feel of cold hard glass fill you with anticipation
you run your tongue slowly against the roof of your mouth
savoring the burn
you taste the sugar in the air
and find the ice crystals carelessly rolling off your lips
Like the first time a boy reaches for your hand
His fingers interlacing with your own ..slowly…discretely
Closer and closer 
Breaking you into intimacy 
until he discovers everything that you have inside
until he knows he can melt you with his touch -
the hard red liquid does nothing to quench your thirst that first time
or tame the spreading numbness in your  chest
the same thirst you had when you woke up alone
greeted by the sun and  empty caresses in a blood-stained bed 
Yes- the first time is always the scariest
you ease into it…slowly at first…but then faster and faster
reaching for another then another
until the confusion of your moist pink lips forget the taste 
of anothers lingering tongue
 the first time- is always divine.


© Nathalie M. Viorato